Lady Gaga “lived” the role of Patrizia Reggiani for a year and a half


What do Marlon Brando, Robert De Niro, Al Pacino, Heath Ledger and Jared Leto have in common? Well, they are all involved in the method, of course! And now we can officially add Lady Gaga’s name to this very prestigious list. As the pop superstar and Hollywood star prepares for the fast approaching premiere of his upcoming Oscar drama Gucci House, she recently revealed that while preparing for her lead role as Patrizia Reggiani, she had actually “lived” as the actual possible murderer for an impressive year and a half.

The actress revealed this tidbit of information in a recent cover story for British Vogue, noting first that at the time of her interview, she had been working on the project (in one form or another) for at least three years. “I will be completely honest and transparent: I have lived as [my character] for a year and a half, ”she admitted, later specifying that she had done it both on and off camera – a true mark of a committed method actor. “I never broke up. I stayed with her, ”she added.

Naturally, that involved embracing Reggiani’s Italian accent, which she apparently did for nine of those months. The actress even practiced speaking in different dialects, noting that viewers might “hear that [her] the accent is a little different depending on who [she’s] talk to. (For what it’s worth, a lot of noise has been made about the actress’ Italian accent, which has been heard in chunks throughout the film’s two official trailers.)

And if you think accent work is easy, Gaga is here to let you know that this decision required further changes in her daily life. “It was almost impossible for me to speak with the accent as a blonde”, the Notorious fan of blonde hair underline. In the end, she was forced to do the one thing a self-respecting method actress would do in this situation: dye her hair. It also altered his relationship with those close to him, causing “a certain silence and disconnection” with his parents; his sister Natali; and her boyfriend, Michael Polansky.

The toll it took also spread to his own psyche. “I had psychological difficulties at one point towards the end of the shoot. I was either in my hotel room, living and speaking like Reggiani, or on set, living and speaking like her, ”she said, explaining that it was becoming difficult to separate real life from life. cinematographic. “I remember that I went out to Italy one day with a hat to go for a walk. I hadn’t taken a walk for about two months and panicked. I thought I was on a movie set.

But perhaps the most interesting revelation concerned Gaga’s decision to avoid “anything with an opinion that would color. [her] think in any way. It meant never reading The House of Gucci: a sensational story of murder, madness, glamor and greed, Sara Gay Forden’s 2000 book that gives the film its narrative structure. But it also meant never meeting the alive and well Patrizia Reggiani – something that the now released figure is allegedly not too enthusiastic.

“I only felt I could really do this story justice if I approached it with the eye of a curious woman who wished to possess a journalistic mind so that I could read between the lines what was happening in the scenes. of the movie, “Gaga explained this particular methodical technique. “No one was going to tell me who Patrizia Gucci was. Not even Patrizia Gucci.

Instead, the actress relied on what British Vogue described as her “artist-journalist” approach to studying the real figure she would ultimately embody on camera. This involved looking at newspaper clippings and recordings of Reggiani, but also taking photos as an “exercise” in character exploration – although nothing in the story suggests that Reggiani was a photographer herself. . “I took my point-and-shoot camera everywhere I went,” she said. “I noticed that Patrizia liked beautiful things. If something wasn’t beautiful, I deleted it.

Ultimately, Gaga cited the whole process as “the experience of a lifetime.” “Every minute of every day, I thought about my ancestors in Italy and what they needed to do so that I could have a better life,” she said. “I just wanted to make them proud, that’s why I made the decision to do the performance on a real woman and not on the idea of ​​a Wrong women.”

Gucci House hits theaters in just a few weeks, and already, the Oscar campaign for Lady Gaga seems to be on the rise. In addition to the astonishing of today British Vogue cover, the multitalented performer also unveiled an equally fabulous cover for Vogue Italy. Check out both below.

House of Gucci hits theaters on November 24 nationwide.

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