Prada – Man Prada Sunglasses http://manpradasunglasses.com/ Fri, 08 Oct 2021 22:54:25 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://manpradasunglasses.com/wp-content/uploads/2021/06/icon-3-141x136.png Prada – Man Prada Sunglasses http://manpradasunglasses.com/ 32 32 We have a soft spot for sheepskin boots, shoes and handbags https://manpradasunglasses.com/we-have-a-soft-spot-for-sheepskin-boots-shoes-and-handbags/ https://manpradasunglasses.com/we-have-a-soft-spot-for-sheepskin-boots-shoes-and-handbags/#respond Fri, 08 Oct 2021 22:54:25 +0000 https://manpradasunglasses.com/we-have-a-soft-spot-for-sheepskin-boots-shoes-and-handbags/ Take a look at the fall 2021 collections, and you might start to develop that warm, fuzzy feeling. Between the incredibly comfortable knits and the exceptional shaggy coats – fluffy and hairy fashion has taken place on the catwalks – and that goes for this season’s accessory assortment as well. In addition to the Yetti […]]]>

Take a look at the fall 2021 collections, and you might start to develop that warm, fuzzy feeling. Between the incredibly comfortable knits and the exceptional shaggy coats – fluffy and hairy fashion has taken place on the catwalks – and that goes for this season’s accessory assortment as well.

In addition to the Yetti boots at Miu Miu and the sheepskin-lined trapper hats at Dior, there were also a plethora of puffball bags and swaddled sheepskin shoes. And while comfy hiking boots and faux fur tote bags would certainly suit a snow-filled forecast, Soraya Zaman’s filming of the most striking sheepskin pieces (located in romantically rocky Colorado terrain) suggests opposite. For Fall / Winter 2021, sheepskin is the norm, regardless of your region. Take Marni’s down-covered pumps for a day at the office or Fendi’s rose-tinted clutch for a winter evening. Or pair Stuart Weitzman’s sheepskin lace-up shoes with summer dresses for a soft take on the transitional fall outfit. No matter what time of year, it’s hard to deny the appeal of something so soft to the touch.

Walking on a Dream It was only right that Proenza Schouler offered his puffy quilted leather slippers in a muffled sheepskin version – yes, you can wear them out of the house. Buy now.

First Thing & # x002019; s First Fendi & # x002019; s new handbag silhouette, the Fendi First, has only been out for a season and is already offered in a pretty, pale pink sheepskin.  Buy now.

First Thing’s First Fendi’s new handbag silhouette, the Fendi First, has only been out for a season and is already offered in a pretty, pale pink sheepskin. Buy now.

Soft Rock models grabbed Prada's plush faux fur tote bags during the brand's fall 2021 runway show, and now you can hold one close, too.  Buy now.

Soft Rock models grabbed Prada‘s plush faux-fur tote bags during the brand’s fall 2021 runway show, and now you can hold one close, too. Buy now.

Peak Interest If the success of Bottega Veneta's pocket and cassette bags were any indication, the plush Tip silhouette is sure to be next on the handbag list.  Buy now.

Peak Interest If the success of Bottega Veneta’s pouches and cassette bags was any indication, the plush Tip silhouette is sure to be next on the It bag list. Buy now.

The road less traveled After buying a timeless <a class=Chanel bag, why not go for a bag that is a little more flared, or in this case, fluffy? Buy now.” src=”https://s.yimg.com/ny/api/res/1.2/9LZNXJFm7kCBhfPpWWtelQ–/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTEyMDA-/https://s.yimg.com/uu/api/res/1.2/tPLunXRCVxn.wmIdaCOsUw–~B/aD0zMDAwO3c9MjQwMDthcHBpZD15dGFjaHlvbg–/https://media.zenfs.com/en/vogue_137/734efbc562b0734761bcc0303c839d13″/>

The road less traveled After buying a timeless Chanel bag, why not go for a bag that is a little more flared, or in this case, fluffy? Buy now.

Wild Thing Let Marni create the most luxuriously comfortable heels you'll ever have the pleasure of sliding your feet into.  Buy now.

Wild Thing Let Marni create the most luxuriously comfortable heels you’ll ever have the pleasure of sliding your feet into. Buy now.

Rock solid You can never go wrong with a practical Coach tote — especially a logoed sheepskin sweatshirt.  Buy now.

Rock solid You can never go wrong with a practical Coach tote, especially a logo sheepskin sweatshirt. Buy now.

It's so soft!  In typical Ugg boot fashions, these fabulously plush minis are lined with sheepskin, after all that's what matters inside.  Buy now.

It’s so soft! In typical Ugg boot fashion, these fabulously plush minis are lined with sheepskin. After all, it’s what’s inside that matters. Buy now.

The glamorous yellow faux fur crossbody bag from a friend or Faux Jimmy Choo is sure to light up the room, although the crystal-plated buckle may steal the show.  Buy now.

A friend’s or Faux Jimmy Choo’s glamorous yellow faux fur crossbody bag is sure to light up the room, although the crystal-plated buckle may steal the show. Buy now.

Step Right Up Stuart Weitzman's classic fights get the plush treatment and grungy boots have never been so sweet.  Buy now.

Step Right Up Stuart Weitzman’s classic fights get the plush treatment and grungy boots have never been so sweet. Buy now.

Ground Control Wear, the comfortable and durable hiking shoes from the Ralph Lauren collection for the trails to come, don't let the down fool you, they're tougher than you except.  Buy now.

Ground Control Wear the comfortable yet durable hiking shoes from the Ralph Lauren collection for the trails to come. Don’t let the down fool you, they’re tougher than you might think. Buy now.

Buy modification:

Stuart Weitzman Nisha Chill Sheepskin Combat Boots

$ 595.00, NEIMAN MARCUS

Coach Rogue Signature Shearling Tote

$ 995.00, COACH

Fendi First small bag in pink sheepskin

$ 3,190.00, FENDI

Proenza Schouler Rondo shearling slippers

$ 750.00, NET-A-PORTER

Ugg Classic Chic Furry Mini Boots

$ 300.00, UGG

Chanel mini flap bag

$ 4,500.00, CHANEL

Prada faux fur tote bag

$ 2,400.00, PRADA

Marni pumps in beige sheepskin

$ 1090.00, SSENSE

Ralph Lauren Collection sheepskin ankle boots

$ 1100.00, RALPH LAUREN

Bottega Veneta bit bag

$ 2,400.00, BOTTEGA VENETA

Jimmy Choo Madeline mini bag in soft faux fur

$ 995.00, JIMMY CHOO

Originally appeared on Vogue


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A “reset”? Not at Paris Fashion Week https://manpradasunglasses.com/a-reset-not-at-paris-fashion-week/ https://manpradasunglasses.com/a-reset-not-at-paris-fashion-week/#respond Fri, 08 Oct 2021 04:00:45 +0000 https://manpradasunglasses.com/a-reset-not-at-paris-fashion-week/ On the final evening of Paris Fashion Week, Louis Vuitton, the world’s largest luxury brand in terms of sales, invested a passage in the courtyard of the Louvre, where dozens of crystal chandeliers hung above of a double row of large glass mirrors at the Palace of Versailles. The models stepped out to the sound […]]]>

On the final evening of Paris Fashion Week, Louis Vuitton, the world’s largest luxury brand in terms of sales, invested a passage in the courtyard of the Louvre, where dozens of crystal chandeliers hung above of a double row of large glass mirrors at the Palace of Versailles.

The models stepped out to the sound of a turret clock, dressed in wide, bouncy satchel skirts and woolen silk-cuffed blazers, lace dresses layered over blue jeans, and sporty lace-up boots in fluorescent satin. These were complex and intriguing in their unusual proportions and flowing mesh of at least three centuries of dress styles. Designer Nicolas Ghesquière called it “the big ball of time “.

Then came another woman carrying a fabric banner that said “Overconsumption = Extinction”. She seemed to be a part of the show at first – until she stopped at the end of the track and was brutally abducted by security guards. This cast a chill over the rest of the event; the models did not make a second appearance for the finale, and when Ghesquière came to bow out, he was accompanied by a bodyguard.

Although a shame for the hundreds of people who had worked on the collection, for a climatic event, the timing and location was appropriate. There was something deeply unsettling about the return of these lavish displays of brand power during Fashion Weeks; of the sudden reappearance of designers, buyers and journalists (myself included) who, a little over a year ago, called for a “reset” of the fashion system: fewer parades, fewer creative exhaustion and a reduced carbon footprint.

At Louis Vuitton, artistic director Nicolas Ghesquière mixes past and present references. . . © Giovanni Giannoni

. . . like dresses adorned with velvet and lace combined with open-toe satin boots © Giovanni Giannoni

Bruno Sialelli from Lanvin presented playful dresses covered with a daisy print. . .

. . . alongside simpler and more sensual babydolls

Of course, commercially this makes sense. On the contrary, the last year and a half has proven just how well-oiled the luxury machine is, especially among the industry mega-brands. Despite the resurgence of Covid-19 in China, shares of LVMH, Kering and Hermès are trading at near historic levels. Shows are making a comeback as they boost sales and media attention.

Chanel Fashion President Bruno Pavlovsky saw it coming. In an interview during France’s first lockdown last year, he said he saw no reason for an overhaul of the fashion calendar; that six fashion shows a year worked well for Chanel before the pandemic and would continue to perform for the company after it.

Bar chart of 'soft luxury' market share *, Europe and UK only (%) showing major labels tightening their grip

“We have the strongest loyal local customer base we’ve ever had at Chanel,” he says now, speaking ahead of the brand’s Spring / Summer 2022 show. Although operating profits fell 41% between 2019 and 2020, Pavlovsky says travel restrictions have given the brand’s boutiques the opportunity to really listen to what local customers want – which, above all, is to “feel privileged”. Sales, which were already doing “very well” in China, the United States and in pockets like Dubai, are also picking up in Europe, where American tourists have started flocking to Chanel stores again this summer, he adds. .

This season, artistic director Virginie Viard revisited Chanel’s heyday in the 1980s and 1990s, erecting a podium above the audience and surrounding them with old-fashioned photographers. The models were grinning and spinning like ’90s supers in simple black swimwear trimmed with sparkling white tweed skirts accented with chain sashes and black chiffon flowing dresses printed with butterfly wings.

It was elegant but not very exciting, devoid of the irony and wit that once animated the house’s iconic gold chains and tweed jackets under the late Karl Lagerfeld. Without them, these pieces are simply nostalgic.

At Chanel, Virginie Viard returned to the brand’s 80s collections with swimsuits and sports bras. . .

. . . alongside short pink dresses, multicolored jackets and denim suits

Hermès enlisted artist Flora Moscovici to create the atmospheric, orange-tinted backdrop for the show. . .

. . . for a collection of refined leather pieces in black, white, yellow and earth tones

It does not matter. Outside the pandemic period, Chanel’s ready-to-wear sales continued to climb under Viard. Chinese customers of the brand particularly appreciate its feminine approach, Pavlovsky says.

Same story at Hermès, where Nadège Vanhee-Cybulski showed the know-how of the house in a private jet terminal through black leather suits and chiffon dresses delicately embellished with tiny glass beads, and small cylindrical bags with luxuriously thick silver handles. There is little need for Vanhee-Cybulski to push the limits on the podium; sales at Hermès have already exceeded pre-pandemic levels.

Givenchy designer Matthew Williams feels the need to push the boundaries – or at least define what the LVMH-owned house stands for following the departure of Clare Waight Keller last year. For her first physical show, held in an arena northwest of Paris, a giant and expensive oculus was suspended from the ceiling, bathing in glowing white light the models dressed in the associated black neoprene riding vests. to stretch waders. , and the men in utility vests layered over narrow-cut pants.

There were a few decent looks here – cropped pantsuits and pictorial partings created in collaboration with Josh Smith in particular – but for the most part, this collection seemed to tread territory already occupied by other designers. Maybe that will develop when Williams starts experimenting with high fashion for her debut in January.

Givenchy’s creative director Matthew Williams mixed corsets and basques in tulle. . .

. . . with traditional couture fabrics and thigh-low clogs

At Miu Mui, Miuccia Prada revolutionized the preppy style by lowering the waist and showing off logo underwear. . . © Monique Feudi

. . . and cropping sweaters and shirts to reveal the models’ naked bellies © Monica Feudi

Miu Miu’s identity has at times been obscured by her sister brand Prada, but that is starting to change now that Raf Simons is co-designing Prada. “Before, I could have half of me in one place, half of me in the other,” Miuccia Prada told the FT earlier this year. “Now all of me is up to Miu Miu. This should be good for Miu Miu.

It was a very good collection, full of the beloved Miuccia signatures that recently disappeared from Prada: pleated schoolgirl skirts with chunky V-neck jumpers and neat straight jackets, sheer floral-appliquéd cocktail dresses. with gray ribbed socks and moccasins. These have been featured with bare bellies and the shortest skirts this season, but their deliberately awkward proportions have elevated them above conventional sensuality.

It was also reassuring to see such a wearable collection by Stella McCartney, whose curvy bodysuits, mushroom-print dresses, and lively, easy-going pantsuits were accompanied by little black bags made from mycelium, an alternative to cultured leather. laboratory. Although more expensive than her typical range, “it’s definitely cheaper than exotic skins,” she said. “And it doesn’t kill any animals, it’s not cutting down trees, it’s amazing technology that is truly the future of fashion.”

Stella McCartney has paired bodycon tops, cutouts and dresses with relaxed pants, knits and blazers. . .

. . . and launched the Frayme Mylo, a mushroom leather handbag

Models and guests paraded a Hollywood-style red carpet at Balenciaga. . .

. . . before entering a theater to enjoy the premiere of ‘The Simpsons I Balenciaga’

Not all shows marked a return to business as usual. A red carpet and a crowd of photographers greeted guests in front of the Théâtre du Châtelet, where Balenciaga gave his show. All the standard stuff, until the guests were seated inside, where the “show” turned out to be the red carpet itself, broadcast live on stage. Here, in relentless high definition, a mix of real celebrities – Cardi B, Elliot Page, Isabelle Huppert – took on camera-friendly poses alongside unwitting reporters, laughing and clapping inside the theater. Soon the looks of the collection began to appear, adjusted to the actors, the Balenciaga staff and various “friends” of the house.

It was a careful dismantling of the boundaries between performers and audience that has also been expertly choreographed this season by Francesco Risso de Marni and Pierpaolo Piccioli from Valentino. The latter took his show to the streets, where students and audiences alike drank in the beautiful mix of jeweled and citrus-hued partings and silk shirts turned into dresses. Customers were free to stay and dine in restaurants afterward, thanks to Valentino. “Inclusiveness and humanity is what I want to offer today,” he said.

Valentino’s Pierpaolo Piccioli reinterpreted classic couture in extravagant volumes and acrylic colors. . .

. . . and paired feathered looks with practical combat boots

Paris Fashion Week ended with a tribute to AZ Factory’s Alber Elbaz, who died in April. The show featured pieces from various fashion houses, including Valentino. . © imaxtree

. . . as well as drawings by Elbaz himself © imaxtree

The sense of community was also palpable at the AZ Factory Memorial Exhibition for the late Alber Elbaz, where 47 designers created looks for an audience including his partner, Alex Koo, and France’s First Lady, Brigitte Macron. .

Return to Balenciaga. Just as the show seemed to end, the lights dimmed and on screen appeared Homer Simpson, desperate to secure something – anything – from the tag as a birthday present for his suffering wife. for a long time, Marge. The ironic film culminated with a Balenciaga show in Paris, modeled by the people of Springfield. The company described it as “the latest in a progression of activations that push some established boundaries between fashion and other forms of entertainment, culture and technology, moving the brand away from an easily defined category.”

I’m not sure the experience pulled Balenciaga out of “easily definable” categories, but it was fun, clever, and surprising. Everything you hope a physical spectacle should be. Because right now they’re not going anywhere.

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Prada doubles its sleek triangular logo in the apparent game to strengthen its rights and diversify its offerings https://manpradasunglasses.com/prada-doubles-its-sleek-triangular-logo-in-the-apparent-game-to-strengthen-its-rights-and-diversify-its-offerings/ https://manpradasunglasses.com/prada-doubles-its-sleek-triangular-logo-in-the-apparent-game-to-strengthen-its-rights-and-diversify-its-offerings/#respond Thu, 07 Oct 2021 12:21:17 +0000 https://manpradasunglasses.com/prada-doubles-its-sleek-triangular-logo-in-the-apparent-game-to-strengthen-its-rights-and-diversify-its-offerings/ For their first physical show since teaming up to take on Prada’s most important creative role, longtime Creative Director Miuccia Prada and new partner Raf Simons, who joined the brand last year, have simultaneously sent nearly 40 looks on models in Milan and Shanghai. following on from a presentation they called a “new possibility” by […]]]>

For their first physical show since teaming up to take on Prada’s most important creative role, longtime Creative Director Miuccia Prada and new partner Raf Simons, who joined the brand last year, have simultaneously sent nearly 40 looks on models in Milan and Shanghai. following on from a presentation they called a “new possibility” by emphasizing the notion of “community” – even if this community is represented, in part, on large LED screens.

Beyond the set-up, there was one element, in particular, that jumped into the collection: the continued adoption and emphasis on a clean-cut version of the Prada triangle that the Milanese brand has affixed to its bags and more. accessories. for several decades. As we noted earlier, Prada’s uses of its trademark triangle to date have been largely uniform in that the inverted triangle is placed on clothing and accessories – along with the words “PRADA Milano”, as well as “DAL 1913”, which is a nod to the year of foundation, and a tiny coat of arms included in the limits of the form.

In more recent seasons, however, as Prada’s triangular logo roamed its collections, the use of the traditional triangle was complemented by Prada’s use of the same small triangular symbol, albeit on its own – that is. – say without the Prada name and / or other identifying information. An empty triangle appeared on the brand’s Fall / Winter 2021 runway invitations, and on the hats side of one of the brand’s 2020 men’s collections, as well as on Spring / Summer 2021 clothing. one year to P / S 2022 and the use of the empty triangle – or in some cases, a triangle that simply carries a single word, Prada – was more consistent than ever. Nary took a look or two without an almost naked triangle adorning a pointed-toe back strap, earring, cuff, or the left breast of a top or dress.

As I documented in a previous article, the most immediate reading of the play here is that Prada is looking to expand its rights to the triangular trademark. Since the vast majority of his trademark uses to date have included the Prada name and the details “Milano” and “DAL 1913”, his trademark rights are likely limited to a mark representing these various details. By releasing a stripped-down version of the triangle (which can probably be compared to some extent to how brands across the board adopted streamlined versions of their word marks not too long ago), Prada is doing something interesting: it potentially positions itself to take advantage of more extensive rights over the small logo, and (at least theoretically) to enforce these rights against the use of similar triangular designs in cases where the “PRADA Milano”, ” DAL 1913 “and the tiny coat of arms are missing from the equation.

And there are more and more examples of this – blatant fast fashion copies to uses of the triangle by marks located in the same situation this can confuse consumers as to the source.

It is a likely driver behind the introduction of more streamlined logos by Prada, and in fact, in pursuit of what appears to be a greater effort to expand its rights to the triangular logo, Prada has filed for registration. trademark for a (although, not completely empty) triangular trademark with the European Union Intellectual Property Office (below, right) in June. This may ultimately pave the way for the trademark to claim rights in its specific use of a completely blank triangular trademark – in relation to specific goods / services – at some point … assuming Prada can show that the triangle is “used in such a way as to make a visual impression such that the viewer would see it as a symbol of origin separate and apart from all the rest,” as one SDNY judge recalled in 1998.

But there is probably more going on here than an incremental seizure of rights by Prada; it is also a growth-oriented cash grab. It should be noted that Prada’s adoption of a streamlined branding in recent seasons has not replaced its use of a more traditional branding. In fact, the blank or partially blank triangles appear in the collections with the more traditional offerings of the brand (i.e. the triangles with the name Prada, Milano, etc.). With that in mind, it looks like Prada may be looking to cast a wider net. In other words, by diversifying its offerings (i.e. varying its approach to the brand), Prada can address a wider pool of luxury buyers.

Considering the size of the luxury goods market and the varying tastes and demands of consumers around the world, it’s realistic to assume that people will want different things from the same brand. Look no further than the Chinese market, where change will inevitably occur in light of the government’s push for “common prosperity,” which is expected to drive consumers away from ostentatious luxury branded goods, less for the foreseeable future. future. At the same time, President Xi Jinping’s latest crackdown on wealth inequality in China is unlikely to cause Western consumers to shed logos now. So, for brands to continue to thrive in an increasingly fragmented global market, they need to diversify their offerings – potentially within each collection.

(Most of the big brands already do this, of course. Louis Vuitton, for example, is known to target the Asian market with bags made from more exotic materials than some other markets due to established consumer preferences.)

Finally, since the revenues and margins of most luxury brands owned by conglomerates are generated by the high turnover of branded products, source indicators – such as visible brand names, logos , monograms, red zippers, etc. not leaving anytime soon. So while Prada’s blank triangle may be a relatively clean branding image, it is nonetheless used as a branding image, and there’s a good chance that it will still serve to indicate the source of the dress or bag. someone’s hand – albeit in a slightly more understated way. – informed consumers.



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Cities tackle food insecurity with technology – GCN https://manpradasunglasses.com/cities-tackle-food-insecurity-with-technology-gcn/ https://manpradasunglasses.com/cities-tackle-food-insecurity-with-technology-gcn/#respond Wed, 06 Oct 2021 22:18:17 +0000 https://manpradasunglasses.com/cities-tackle-food-insecurity-with-technology-gcn/ Cities tackle food insecurity with technology By Shourjya Mookerjee 06 Oct 2021 In the wake of the pandemic, food banks across the country have seen an unprecedented increase in the number of new clients, forcing local agencies and nonprofits to reassess their approach to food insecurity. According to the Department of Agriculture’s Economic Research Service, […]]]>

Cities tackle food insecurity with technology

In the wake of the pandemic, food banks across the country have seen an unprecedented increase in the number of new clients, forcing local agencies and nonprofits to reassess their approach to food insecurity.

According to the Department of Agriculture’s Economic Research Service, 13.8 million people were food insecure at some point in 2020, and the nonprofit Feeding America estimates that the economic hardship associated with COVID-19 could push the 2021 numbers down to 42 million Americans.

To counter this disturbing projection, cities like Atlanta and Boston are using GIS applications and SMS chatbots that not only tackle the problem of access to food, but better provide information to those who are most vulnerable: the families newly exposed to food insecurity.

“Families who had never overcome this problem before were suddenly faced with food insecurity,” said Nick DiSebastian, marketing data analyst for the Atlanta Community Food Bank (ACFB). “So we ran all kinds of campaigns like billboards, television, and our ‘Find Help’ SMS card, to first collect information on where people were looking for food. “

The Aid Card, accessible on the ACFB website or by sending FINDFOOD to a specific number, uses cloud-based Esri software to connect residents of Greater Atlanta to three types of food aid sites. These include more than 700 partner agencies with regular hours, mobile pantries open a few days a month, and catering sites from the Georgia Ministry of Education, which cater specifically to children under the age of 18. 18 years old.

“We used Esri’s ArcGIS online platform, and in particular their Web AppBuilder, to improve the functionality of the help map where you can enter your address and set a search distance radius,” said DiSebastian. “It gave us the opportunity to deliver highly up-to-date results during a dynamic period, when hours of operation and locations were constantly changing. “

Previously, residents had to call the office and ask the representative to search for the information manually, DiSebastian said. The telephone method is still available as a backup, but now ACFB staff can verify the card using the caller’s address and transfer the exported data.

Boston also recently launched its own initiative, an SMS chatbot and food donation platform, to strengthen the city-wide food access network. Mayor Kim Janey and the Office of Food Access (OFA) unveiled these tools in September following the success of its first iteration, an emergency grocery delivery service that was operating during the height of the pandemic.

The SMS solution was specifically designed to improve access for those without a stable internet connection, said Catalina Prada Valderrama, Director of Outreach and Communications of OFA. While improving the technological capabilities of the app was a consideration, the needs of the community came first.

“We’re looking at how to integrate more stuff, but we didn’t want to impose the technology just to do it,” Prada Valderrama said. “It’s still a work in progress.”

In Atlanta, improving the functionality of the ACFB help card is the next step, DiSebastian said. At present, the data collected by the platform only reflects the use or frequency of access to the card. A new tool that could provide more precise information on the local food deficit is already under development.

“We are in the process of implementing a custom widget that will track where people are looking for help,” he said. “We saw a huge increase in use during the pandemic, which was both heartbreaking and encouraging as it meant more families were food insecure, but they were also using our resources. With the improved data, this new widget can better help us fill the [food access] gaps in our communities.

About the Author

Shourjya Mookerjee is an associate editor for GCN and FCW. He is a graduate of the University of Maryland, College Park, and has written for Vox Media, Fandom and a number of Capital Region media. He can be contacted at [email protected] – or you can find him ranting about sports, cinematography and the importance of local journalism on Twitter @byShourjya.



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Prada takes over a grocery store in Shanghai – SupChina https://manpradasunglasses.com/prada-takes-over-a-grocery-store-in-shanghai-supchina/ https://manpradasunglasses.com/prada-takes-over-a-grocery-store-in-shanghai-supchina/#respond Wed, 06 Oct 2021 09:56:15 +0000 https://manpradasunglasses.com/prada-takes-over-a-grocery-store-in-shanghai-supchina/ Prada takes over a grocery store in Shanghai – SupChina Skip to content Find a company based in China Find a company based in ChinaJD technologyEvergrande GroupGanfeng LithiumShenghe Resources HoldingNorth China Rare Earth GroupBaotou Iron and SteelGemLens technologyKanzhunKuaishouMissFreshXuanji technologyVolitationHuimingjieAEEEHangThree Gorges Society of ChinaChina across the oceanHoneycombXAGCMSGDUFoiaSYS SkyTIMAutel roboticsChina Aviation Industry CompanyChinese Academy of Aerospace AerodynamicsEngines […]]]>



Prada takes over a grocery store in Shanghai – SupChina
























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Reese Witherspoon films scene from screenwriter Devil Wears Prada’s rom com Your Place Or Mine https://manpradasunglasses.com/reese-witherspoon-films-scene-from-screenwriter-devil-wears-pradas-rom-com-your-place-or-mine/ https://manpradasunglasses.com/reese-witherspoon-films-scene-from-screenwriter-devil-wears-pradas-rom-com-your-place-or-mine/#respond Tue, 05 Oct 2021 18:58:29 +0000 https://manpradasunglasses.com/reese-witherspoon-films-scene-from-screenwriter-devil-wears-pradas-rom-com-your-place-or-mine/ Reese Witherspoon looks like a ray of sunshine as she walks with a pal on the New York set of her upcoming romantic comedy Your Place Or Mine By Sameer Suri for Dailymail.com Posted: 19:58 BST, October 5, 2021 | Update: 21:28 BST, October 5, 2021 Reese Witherspoon was seen filming her upcoming romantic comedy […]]]>

Reese Witherspoon looks like a ray of sunshine as she walks with a pal on the New York set of her upcoming romantic comedy Your Place Or Mine










Reese Witherspoon was seen filming her upcoming romantic comedy in New York on Tuesday.

The 45-year-old was filming a scene from Your Place Or Mine with a costar wearing a miniskirt.

At one point, she and her stage partner came across a dog who affectionately stood up on his hind legs to be petted by an elated Reese.

Roll on the set! Reese Witherspoon was seen filming her upcoming romantic comedy in New York on Tuesday

Side by Side: The 45-year-old was filming a scene from Your Place Or Mine.  Here she is seen with a costar

Side by Side: The 45-year-old was filming a scene from Your Place Or Mine. Here she is seen with a costar

She could be seen wearing fall chic in a dark high waisted floral skirt and denim jacket while chatting with her stage partner.

Reese paired the skirt with a burgundy top and sported her iconic blonde locks, flaunting her unmistakable megawatt smile.

Over the weekend, the Legally Blonde star shared on Instagram that filming was starting and that she was “going back to my romantic comedy roots!”

The film is the debut film by The Devil Wears Prada screenwriter Aline Brosh McKenna.

His only actors announced in the film at the moment are Ashton Kutcher, idol of Punk, and Jesse Williams, actor of Grey’s Anatomy.

On the go: She could be seen wearing fall chic in a dark high waisted floral skirt and denim jacket while chatting with her stage partner

On the move: She could be seen wearing fall chic in a dark high waisted floral skirt and denim jacket while chatting with her stage partner

Ashton and Reese play characters who are best friends and whose lives are turned upside down by a real estate decision they make, reports Deadline.

The dynamic duo live across each other’s country and decide to temporarily move houses.

Their plan is to spend a week in this new way of life and the consequences end up setting the romantic comedy plot in motion.

Aline wrote the film in addition to directing it. She and Reese are also producers on the project.

Looks fabulous: Reese paired the skirt with a burgundy top and sported her iconic blonde locks, flaunting her unmistakable megawatt smile

Looks fabulous: Reese teamed the skirt with a burgundy top and sported her iconic blonde locks, flaunting her unmistakable megawatt smile

In a good mood: Hollywood's must-have looked in a very good mood on set

In a good mood: Hollywood’s must-have looked in a very good mood on set

Remembering Where She Was From: Over the weekend, the Legally Blonde star shared on Instagram that filming was starting and that she was

Remembering Where She Was From: Over the weekend, the Legally Blonde star shared on Instagram that filming was starting and that she was “going back to my romantic comedy roots!”

Reese has a slew of new acting projects on the horizon, including a reprise of his iconic role as Elle Woods in Legally Blonde 3.

Six years ago, it was reported that Reese had been cast for a live-action Disney film on Tinker Bell, but there has been little news on the project recently.

The beauty has just finished filming the second season of The Morning Show with her co-star Jennifer Aniston.

So sweet: At one point, she and her stage partner ran into a dog who affectionately stood up on his hind legs to be petted by an overjoyed Reese.

So sweet: At one point, she and her stage partner ran into a dog who affectionately stood up on his hind legs to be petted by an overjoyed Reese.

Premise: Ashton and Reese play characters who are best friends and whose lives are turned upside down by a real estate decision they make, Deadline reports

Premise: Ashton and Reese play characters who are best friends and whose lives are turned upside down by a real estate decision they make, Deadline reports


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Givenchy’s “noose” necklace is criticized after being compared to Burberry’s “suicide hoodie” in 2019 https://manpradasunglasses.com/givenchys-noose-necklace-is-criticized-after-being-compared-to-burberrys-suicide-hoodie-in-2019/ https://manpradasunglasses.com/givenchys-noose-necklace-is-criticized-after-being-compared-to-burberrys-suicide-hoodie-in-2019/#respond Tue, 05 Oct 2021 05:20:11 +0000 https://manpradasunglasses.com/givenchys-noose-necklace-is-criticized-after-being-compared-to-burberrys-suicide-hoodie-in-2019/ Fashion can be dangerously bizarre, and a lot of luxury fashion houses were called in the past to perpetuate problematic ideas through their clothing and accessories, all in the name of “creative expression”. Fashion Prada Diet Watchdog in her recent Instagram post, shared photos of two brands, mainly their bizarre accessories and clothing that appear […]]]>

Fashion can be dangerously bizarre, and a lot of luxury fashion houses were called in the past to perpetuate problematic ideas through their clothing and accessories, all in the name of “creative expression”.

Fashion Prada Diet Watchdog in her recent Instagram post, shared photos of two brands, mainly their bizarre accessories and clothing that appear to be real noose.

The first photo is of the infamous Burberry noose, which was dubbed a ‘suicide hoodie’ in 2019. Noose hoodie debacle in 2019 … ”reads the Diet Prada caption accompanying the images.

A BBC The report states that in 2019, Burberry had to apologize after being criticized by one of her own models, Liz Kennedy, in a lengthy Instagram post, in which she said “suicide is not fashionable”.

“It’s not glamorous or edgy and since this show is dedicated to young people expressing their voices, I’m going. Riccardo Tisci and everyone at Burberry, I don’t understand how you can leave a knot-like look flowing hanging from a neck on the track. How could anyone ignore that and think it would be good to do it, especially in a line dedicated to young girls and young people, “she added.

And if you thought that brands could learn from such unpleasant experiences, especially after being questioned, you’d be wrong.

It seems that in its Spring 2022-Prêt à porter collection, Givenchy has added a collar that looks dangerously similar to the noose hoodie. It looks like a half noose.

“This @givenchyofficial necklace which has just come down the track is getting dangerously close to this same territory. One really wonders how no one noticed, but alas… history is repeating itself”, one reads in the legend of Diet Prada.

Many people have since commented on the post, writing that the shocking aspect of the collection could be a marketing gimmick.

A model presents a creation by designer Matthew M. Williams as part of his Spring / Summer 2022 women’s ready-to-wear show for fashion house Givenchy during Paris Fashion Week in Paris. (REUTERS / Gonzalo Fuente)

“This is done on purpose… marketing outrage,” one person wrote.

“The number of people who need to approve these designs before they’re published… none of them thought, ‘maybe leave this part out’ ??? ? Another commented.

“How did it go through several people before this show and everyone thought it was ok. And also why am I not surprised,” someone else wrote.

In a world where mental health issues are still trivialized, fashion brands should be more responsible than coming up with collections that could potentially trigger a person.

What do you think?

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America’s Cup: the defining moment of the American Magic – Prada Cup https://manpradasunglasses.com/americas-cup-the-defining-moment-of-the-american-magic-prada-cup/ https://manpradasunglasses.com/americas-cup-the-defining-moment-of-the-american-magic-prada-cup/#respond Mon, 04 Oct 2021 05:30:50 +0000 https://manpradasunglasses.com/americas-cup-the-defining-moment-of-the-american-magic-prada-cup/ America’s Cup: The defining moment of the American Magic – Prada Cup – Day 3 by Richard Gladwell Oct 3 12:36 UTC October 4, 2021 American Magic – Round Robin 2- Race – 3 Prada Cup – Course A- January 17, 2021 © Richard Gladwell – Sail-World.com/nz Terry Hutchinson (American Magic) – Press conference – […]]]>

America’s Cup: The defining moment of the American Magic – Prada Cup – Day 3

by Richard Gladwell Oct 3 12:36 UTC
October 4, 2021

American Magic – Round Robin 2- Race – 3 Prada Cup – Course A- January 17, 2021 © Richard Gladwell – Sail-World.com/nz

MPU Henr-Lloyd BLU
MPU GJW Direct 2020

Terry Hutchinson (American Magic) – Press conference – Prada Cup – Auckland – January 14, 2021 – 36th America’s Cup presented by Prada © Carlo Borlenghi / Luna Rossa

In this new video, American Magic skipper Terry Hutchinson and others share their memories of the brand’s time in determining the campaign and subsequent events, at the end of the penultimate stage of Race 3 of the Prada Cup Round Robin 2.

“As we were making the left turn, a 23.5 knot gust hit us, and it passed,” Hutchinson recalls.

“My best memory is when I heard Dean say ‘I’ve lost the rudder’.

“I was clipped into the boat and when I went to eject myself the clip didn’t come undone – which immediately pulled my hair up, so I went to get the knife. ‘is filled right away. It quickly passed from being OK for a high fever – from my point of view. Right away, I was underwater and stuck under the mainsail. My head was under the ‘water and I was stuck. Cooper grabbed his knife, cut the lifeline, and pulled me out.

“From there the four of us got out from under the mainsail. We did the count, everyone was safe. Very quickly it became very quickly went to a rescue of the boat.

“Back then, we felt like we had an air pocket in the boat, and that kept it afloat. We all thought the boat was going to sink.”

In the video, commentators and Luna Rossa’s crew provide their take on the incident.

American Magic’s second AC75 Patriot gave a glimpse of what was to come on her first sail, when she made a dramatic leap after some youthful issues and a sudden increase in wind speed.

His capsizing on day three of the Prada Cup was one of the unforgettable moments of the entire regatta. It certainly set a new readership record for a single story on Sail-World.

The stage was set earlier in the day when it was announced that the race would take place at the north end of Course A, off the bays of Auckland’s east coast and adjoining the course area of ​​the ‘America’s Cup 2000 and 2003.

The forecast predicted an unstable weather situation, with thunderstorms and squalls of rain that should cross the race area by the end of the afternoon.

INEOS Team UK, the British Challenger had shaken the Prada Cup with four wins in three days of racing, and had dominated the Italian Challenger Luna Rossa in the first race of the day. This race was canceled after a gust of rain moved across the course, causing a significant change in the wind. The two AC75s remained with the mainsails hoisted and attached to their tenders as the 30 knot squall shifted. In the new sail, Luna Rossa was initially leading, but with her new found speed, INEOS Team UK was leading from the second lap, and continued to gain by 18 seconds – which at AC75 speeds in these conditions is a comfortable margin.

Patriot had scored a retirement the day before, finishing more than five minutes behind Luna Rossa, after both boats had enjoyed periods of displacement in the capricious breeze.

The pressure, therefore, was on the New York Yacht Club team to win the standings, mainly for reasons of team morale and bragging rights – as it looked like the Italian and American teams would compete in the half. -final with the INEOS UK team seeming a place for first place in the Challenger final.

The American team started well and held a good lead in the race, cruising in gloomy and gloomy conditions with the breeze blowing in their early teens. Approaching mark 5 in the photoboat, a victory seemed inevitable for Patriot and we headed towards the finish hoping to get there before Patriot – who would have sailed very fast in the last stage – who looked like a long edge with a short at the finish.

Another gust of rain came, when one of the photographers, Chris Cameron, following an agreed practice, shouted that there was action in the back. The wind had suddenly picked up and the dark gusts radiated over the flat water.

As I turned and reached for a camera, I had the unforgettable sight of an AC75 completely in the air and blowing sideways in the gust of rain, like a giant kite.

After what seemed like an eternity, Patriot landed, landing sideways, and it looked like she hadn’t passed the point of no return yet. But the fight was out of the AC75 and she turned and gave in to the breeze.

We had seen Emirates Team NZ participate in a practice race a few days before, and it took their support team a few minutes to straighten Te Rehutai.

But it was different – two minutes dragged in a lot more – it looked like 20. It sounded like a replay of the Emirates Team NZ dive in Bermuda – under similar conditions, when it took a long time for the team careful support to straighten the foiling catamaran which was tearing up pieces of sail and fairing like confetti.

Patriot was straightened up and pulled his head to win and it was immediately obvious that something was wrong, then the arc started to flow slowly but noticeably.

Then he went under the water, and it looked like a hatch must have jumped out and the water was coming down below.

As the team dinghies arrived with more pumps, the water level rose on the jib luff, stopping halfway up the stylized America’s Cup logo near the point of tack of the jib.

Many expected Patriot to sink, in a replay of One Australia’s spectacular plunge into the Pacific Ocean during the 1995 Louis Vuitton Cup. It was just a matter of how quickly the end was coming.

Disturbingly, an inflatable mark was hoisted to the top of the Patriot’s mast to keep the yacht upright, if it sank in relatively shallow water (about 40 feet deep).

With a multiplicity of inflatable marks attached to the bow, the sink rate decreased and stopped. The AC75’s hull had a residual buoyancy of about 1000 kg less than its total weight. It appeared that an air pocket stuck in the aft end of the hull was holding or leaking only slowly.

A small swell came in from the east, the direction in which the Patriot’s raised stern was pointing, causing the AC75 to roll slightly, submerging the starboard side deck underwater and ensuring that the sixteen deployed pumps would never have a chance to progress. .

In the end, this was a very basic seamanship piece, dating back several centuries to the time of Captain Cook or before, known as fothering, where a sail or crash blanket is rolled up. around the hull to prevent part of the entry of water.

With the Team New Zealand dinghy on the starboard side of the Patriot and the American Magic dinghy on the other, the crews worked hard to cushion the lazy roll of the AC75 in the swell, to prevent side decks. to be submerged – and at least slow down the water inlet to the point where the sixteen pumps could make an impression by draining the water from the flooded hull.

Gradually, the hull freed itself from the water and began a very slow four hour journey to the American Magic base.

Barton Marine 2019 600x500
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Alexandre Vauthier mixes elegant minimalism and high octane glamor https://manpradasunglasses.com/alexandre-vauthier-mixes-elegant-minimalism-and-high-octane-glamor/ https://manpradasunglasses.com/alexandre-vauthier-mixes-elegant-minimalism-and-high-octane-glamor/#respond Sun, 03 Oct 2021 13:29:29 +0000 https://manpradasunglasses.com/alexandre-vauthier-mixes-elegant-minimalism-and-high-octane-glamor/ Image: Courtesy of Alexandre Vauthier Alexandre Vauthier is a designer well equipped to approach our cultural moment. Her clothes are, after all, the epitome of sex appeal-laden glamor, the kind women find themselves drawn to in the post-Covid “revenge” era. She’s the designer of choice for women who want to be watched, who feel most […]]]>
Image: Courtesy of Alexandre Vauthier

Alexandre Vauthier is a designer well equipped to approach our cultural moment. Her clothes are, after all, the epitome of sex appeal-laden glamor, the kind women find themselves drawn to in the post-Covid “revenge” era. She’s the designer of choice for women who want to be watched, who feel most confident in a razor-short mini skirt and towering stiletto heels. For Spring / Summer 2022, a collection that Vauthier unveiled via a Karim Sadli lens lookbook, rather than a runway, he gave his client much more to savor.

The collection was an offering of 22 tight looks, some of which were tailored for the office – oversized striped suits, ’80s-style boxy leather blazers, voluminous waist-cinched trench coats – others that were less so. Embellished chainmail dresses, strapless sequined cocktail dresses with marabou feather trims and daring wrap tops in a bold shade of cyan, all added to the ‘Roaring 20s’ spirit to which the designers have quietly referred to this season. From Prada, where Miuccia Prada Raf Simons ushered in a new era of “neo-sensuality” with leather mini-skirts and boneless corsets, to trench coats exposing Riccardo Tisci’s bottoms at Burberry.

Vauthier also made some unexpected additions to the lineup. An oversized coat covered in hand-dyed ostrich feathers and studded with crystals was the undeniable standout piece (critics have suggested it will sell “in the five-figure range”), a slightly more absurd and irreverent version of the usual definition of “after dark”. ‘ get dressed. Vauthier told reporters the Covid-19 pandemic predictably had a financial impact on his eponymous label, but was quick to assert that the past 18 months had unexpected benefits for his creativity. “During the crisis, we obviously lost money,” he told French. SHE. “But in terms of creativity, I found it to be very beneficial. It totally boosted me. We love to see a silver lining embellished with rhinestones wherever we can.

Alexandre Vauthier Spring Summer 2022
Image: Courtesy of Alexandre Vauthier
Alexandre Vauthier Spring Summer 2022
Image: Courtesy of Alexandre Vauthier
Alexandre Vauthier Spring Summer 2022
Image: Courtesy of Alexandre Vauthier


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‘Diana the Musical’ star Jeanna de Waal as Princess Diana on Netflix and Broadway https://manpradasunglasses.com/diana-the-musical-star-jeanna-de-waal-as-princess-diana-on-netflix-and-broadway/ https://manpradasunglasses.com/diana-the-musical-star-jeanna-de-waal-as-princess-diana-on-netflix-and-broadway/#respond Sat, 02 Oct 2021 14:01:20 +0000 https://manpradasunglasses.com/diana-the-musical-star-jeanna-de-waal-as-princess-diana-on-netflix-and-broadway/ Jeanna de Waal is used to waiting. She first landed the title role in Diane: the musical, which explores the life story of the late Princess of Wales almost five years ago, starting with a workshop in 2017 at the Powerhouse Theater at Vassar College, which was followed by a run at La Jolla Playhouse […]]]>

Jeanna de Waal is used to waiting. She first landed the title role in Diane: the musical, which explores the life story of the late Princess of Wales almost five years ago, starting with a workshop in 2017 at the Powerhouse Theater at Vassar College, which was followed by a run at La Jolla Playhouse in 2019. The Broadway show debut at the Longacre Theater was slated for March 31, 2020, but Diane only managed nine previews before Broadway closed. Weeks turned into months, but de Waal remained optimistic.

“I have kept the faith that we will be back all this time,” she said.

LOOK DIANA: THE MUSICAL

And they come back. Diane: the musical will be released on Netflix on October 1 before finally opening on Broadway on November 17, making it the first Broadway musical to air before its opening night on stage. Given the success of The crown, the enduring appeal of the royal family, and the fierce appetite for anything to do with the late princess, there’s a good chance this will be a runaway success.

Jeanna de Waal plays Princess Diana in Diana: A Musical, which will appear on Netflix this year ahead of its Broadway opening. Shot on location at Lafayette Grand Café and Bakery in New York. Wearing Gucci Dress ($ 3,800) and belt ($ 1,200) gucci.com, Pomellato Tango earrings ($ 5,600) and rings (from $ 3,510) pomellato.com.

EMILIO MADRID

Christopher Ashley, who led every iteration of Diane (including the Netflix movie, which was recorded last summer without an audience), knew straight away, all those years ago, that de Waal was its star. “She captured the shyness and sparkle of 19-year-old Diana, and she grew in conviction and maturity, so from her third scene we felt we were sharing the room with Diana at the height of her powers.” , he recalls.

Born in Germany, de Waal grew up in Britain in a family of artists; she and her sister Dani, an actress turned software engineer, both attended Tring Park School for the Performing Arts, and the family made weekends in London to attend West End shows. Although Dani left the acting world, Jeanna continued on, making her West End debut at age 22 in we will Rock You. A year later, she moved to the United States without an agent and without a job, but she quickly landed her first role on Broadway, in american idiot.

Giorgio Armani Jacket ($ 3,695) and pants ($ 1,395) armani.com, Jimmy choo Jimmychoo.com shoes, Pomellato Earrings ($ 7,200), bracelets (from $ 8,450) and rings (from $ 3,550) pomellato.com

Like Diana, de Waal is not a simple ingenuous. She has entrepreneurial instincts: It was her idea in 2017 to found Broadway Weekends, an adult drama camp taught by artists from New York and London, which she now runs with her sister. During the pandemic, they switched to an online format called Broadway Weekends at Home, offering 80 workshops per month and special programs like a one-day class led by the original cast from Prom. It’s a way of democratizing the theater and giving fans a chance to fully experience the material.

“We’re used to the theater to be this passive experience where we sit in an audience and receive it, and maybe discuss it at dinner,” de Waal explains. “With Broadway Weekends, there is a real chance to dive into both the material of the shows, but also your own experience of becoming an artist, whether you want to do it professionally or not.”

jeanna de waal

In addition to his stage work, de Waal also directs Broadway Weekends, a theater program that has expanded to include digital programming for theater fans. Wearing Louis Vuitton Dress ($ 3,400) and shoes ($ 1,060) louisvuitton.com, Irene Neuwirth Earrings ($ 13,140) ireneneuwirth.com, and Pomellato Rings (starting at $ 2,350) pomellato.com.

EMILIO MADRID

Her sister Dani agrees, adding that Broadway weekends have become something of a world class room and creative coping mechanism. “With the pandemic and the isolation that everyone was experiencing, the need for a community became vital,” she says. “It was really amazing to see the range of nationalities and ages that all came together.”

Since her show went dark, de Waal has embarked on the expansion of Broadway weekends while hoping for updates on Diane. Last July, the cast gathered on Zoom to create new pages and were taken aback by the news from Netflix – and received about four weeks before filming began. Cue the workouts; when the show was first in rehearsal, de Waal said CGV she was taking Gyrotonics lessons to learn to move and behave like a princess. “She’s like a gazelle, the way she moves,” she said, noting that after workouts (and thanks to the lifts tucked in her shoes), “I’ll be a lot taller.”

De Waal says she grew up in a ‘Team Diana’ household – when Diana passed away her sister Dani remembers their mother and grandmother also being upset ‘like they had lost a personal friend’ – but didn’t didn’t know much about her beyond her iconic status. While preparing for the role, de Waal watched hundreds of hours of Diana’s YouTube footage, but deliberately avoided any theatrical performances (despite being an avid follower of The crown.)

jeanna de waal

De Waal explains the attraction of the late Princess of Wales, saying that “her power was to want to connect”.

EMILIO MADRID

The challenge of playing one of the world’s most famous women is to telegraph who she was, rather than what happened to her, and project her mark of gentle authority.

“His power was to want to connect, at every moment, these small moments of interaction and the hopes of these interactions,” explains de Waal. “For a long time, before she harnessed her power, a lot of things were done to her. That was the unique challenge of this show, not just sitting there and everything hitting me, and not having momentum in my own show. I think there is a great opportunity to explore new types of protagonists.

Where there is a protagonist, there must be an antagonist, but de Waal is resistant to calling a character in the production a villain. “If we start with Charles and Camilla, I also have a deep sympathy for them,” she said. “I think it was a really complicated situation.”

When it comes to today’s royals, especially Prince Harry and Meghan Markle, de Waal understands why they might want to find a way out of The Firm. “You get a life and you are allowed to follow it however you want,” says de Waal. “And if they think they’ll be happier leaving the royal family, then custom or tradition isn’t what should hold them back, and they should pursue that for themselves.”

jeanna de waal

Diana: A Musical was shot on stage in an empty Longacre theater and will air on Netflix from October 1. Prada Shirt ($ 1,830) and Skirt ($ 3,850) prada.com, Irene Neuwirth Earrings ($ 15,120), bracelet ($ 10,800) and ring ($ 4,110) ireneneuwirth.com.

EMILIO MADRID

After an undeniably dark and difficult time, de Waal is hoping the musical can inspire audiences to believe again. “Even though you’re a tiny little light and seem like you’re in a black hole and no one is helping you, trust that little inner voice,” she says. “We all have this, and we have to listen to it.”

So in a way it fits Diane will be seen on screen before the stage, shown in lounges around the world. It’s accessible and intimate, just like Diana herself and the woman who’s been waiting for years to play her.

jeanna de waal

Jeanna de Waal wears Dolce & Gabbana Top ($ 1,195) and skirt ($ 1,195) dolcegabbana.it, Irene Neuwirth Earrings (19,420) and ring ($ 2,090) ireneneuwirth.com, Gianvito Rossi Gianvitorossi.com shoes in the first picture.

EMILIO MADRID

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